Persecuted Lovers - Study - Arthur Boyd - QAGOMA Learning.
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Arthur BOYD is considered one of Australia’s most significant modern artists was born in 1920, and was taught by his grandfather, prominent painter Arthur Merric BOYD. He served in the Second World War and his experiences influenced the subsequent themes of psychological anguish and suffering in his work.
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Arthur Boyd was a painter, potter and printmaker from a family of artists. Boyd aimed to convey an inner emotional vision through his work, rather than describing the external world. He painted lyrical and emotive allegories on universal themes of love, loss and shame, often located in the Australian bush.
Arthur Boyd’s Persecuted Lovers 1957-58 represents the societal racism within Australia over the 20th century. Boyd depicts the strained relationships between Indigenous Australians and white Australians.
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Arthur Boyd’s series Love, Marriage and Death of a Half Caste, more commonly known as the Brides, was painted between 1957 and 1960 after Boyd travelled to Central Australia. It represents a defining achievement in both the artist’s career and in Australian art of the twentieth century.
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These belonging insights are further explored in Shakespeare’s eponymous play Othello and Arthur Boyd’s power painting Persecuted Lovers 1957-1958. Arthur Miller’s The Crucible explores belonging as a protective force against externalised fears. The setting and imagery emphasise Salem’s many anxieties.
